Despite the explicit content of their songs, critic Alex Henderson argues that the group "comes across as much more heartfelt than the numerous gangsta rap.wannabes who jumped on the gangsta bandwagon in the early 90s." The Geto Boys earned notoriety for its transgressive lyrics which included gore, psychotic experiences, necrophilia, and misogyny. The group broke up shortly after and a new line-up was put together with the inclusion of Scarface and Willie D, both aspiring solo artists. The group released a critically acclaimed album titled Making Trouble that contained songs such as "Making Trouble", "Ghetto Boys Will Rock You", "Balls and My Word", "Assassins", and "Snitches". The original Ghetto Boys consisted of the following members: Prince Jonny C, Sire Jukebox DJ Reddy Red and Little Billy, the dancer who later came to be known as Bushwick Bill. Geto Boys (originally spelled Ghetto Boys) is a hip hop group from Houston, Texas, consisting of Scarface, Willie D and Bushwick Bill. Also appeared on 1996 Geto Boys Album "The Resurrection". From this vantage point, he sees the forced abortion of the claustrophobic title track not as cruelty, but as mercy: “ Why would you want to make a life in this world we live in? You should terminate it, because it’s a lousy world”.From 1996 Soundtrack: "Original Gangstas". His growth as a rapper allowed him to explore the underlying issues beneath his homicidal and suicidal thoughts, often taking aim at a society that had already left him for dead (after a character kills his wife and kids, he’s hung up on by the suicide hotline). But he reached a creative peak with KKKill the Fetus, combining the sounds of those albums while wondering “ what drives people … to the depths of evil”.
The geto boys assasins lyrics full#
In 1989, a 16-year-old Esham helped establish horrorcore with Boomin’ Words from Hell, a self-produced album full of electro-rap dispatches from Detroit’s hellish streets, and in 1992, he released one of hip-hop’s first double albums, the rap-rock Judgement Day. If this list was strictly chronological, Esham would be near the top.
Here are 15 of the best, most important horrorcore albums, sorted chronologically to show how the genre has developed over more than a quarter century. You get horrorcore, an often maligned sub-genre that has existed for nearly as long as hip-hop itself and that specializes in the macabre, the sinister, the disgusting and the shocking.
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But what happens when the hyperbole is pushed to extremes? What happens when lyrics about gangland murder becomes slasher flick serial killing, when chasing women becomes acts of violence, when getting high and drunk at a party becomes addiction, paranoia and psychosis? But even as rappers sought to prove their realness, it has always been understood – by the artists that make it and the fans that love it, at least – that hip-hop is a reflection and a comment on society’s ills, not the cause of them.įor many proponents of hardcore hip-hop and gangsta rap, these street-life narratives were a mix of reporting, fiction-writing, and therapy that charged American institutions like the government, police and schools with the responsibility for urban decay. As hip-hop developed in the 80s and 90s, the genre became synonymous with violence, drugs, and sex.
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